The Red Rocks we know today, with its curving wood benches and red sandstone stairs, was designed by local Denver architect Burnham Hoyt and built by the Civilian Conservation Corps (CCC) in 1941. Native Americans thought it a magical place, and early pioneers staged concerts here in the 19th century. The 9,000-seat arena is carved out of massive 300-foot-high red sandstone monuments, creating one of the most spectacular concert venues on the planet. Thanks to a fortuitously placed "bounce" rock behind the stage, Red Rocks is the only completely natural amphitheater in the world. POPULAR DENVER MOUNTAIN PARKS RED ROCKS PARK & AMPHITHEATRE Frederick Law Olmsted Jr., the son of the famed designer of New York's Central Park, was hired to design the park system. The original goal of the mountain park system was to make Denver a rival to Switzerland for mountain tourism. Today, Denver maintains parks that are 60 miles from city limits and include famous attractions like Red Rocks Park & Amphitheatre, Buffalo Bill's Grave on top of Lookout Mountain, Winter Park Ski Resort, a buffalo and elk herd, and Summit Lake, the highest city park in the nation. Congress passed an act that allowed the City of Denver to acquire scenic land outside of city limits to protect and preserve it for future generations. Multiple output formats supported (Digital, Cassette, Vinyl, CD, etc.It took an act of Congress to create Denver's "city" park system.Mastering and Stem-Mastering – at Afterpostmodernism.Services for Music, Sound-Effects, Film, TV, and Radio We look forward to working with you soon. What follows below is not an exclusive list of offerings – if you require pricing and/or services which are not listed, please contact us with your desired requirements so we can give you a personalized quote. Please ask us how we can provide the right combination of services & pricing to fit your needs.
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Our lead engineer, Ian Campbell, has over 20 years of professional experience in many genres of music, from jazz to pop, classical to rock, and country to electronica, collaborating as an audio engineer, producer, musician, sound-designer, remix artist, and composer for clients all across the United States of America.Īll equipment can be configured for mobile recording, mixing, mastering, and production use nearly anywhere in the world additional equipment, software, plugins, and instruments can be procured at your request.Īll projects are billed on a sliding-scale because no two clients, projects, or budgets are the same. Utilizing a industry-leading techniques and a hybrid analog/digital process with professional equipment and tools selected for your project’s unique needs, Afterpostmodernism can deliver the recording, production, composition, mix, or master that sets you or your clients apart from the crowd while inspiring listeners everywhere on any platform. Onyx – Denver, CO Rock Island – Denver, CO. Unauthorized duplication is a violation of applicable laws.Ģ000. © & Ⓟ 2019 Ness Records / Distributed by Ness Records / 122 N Avondale Road, suite 255, Avondale Estates, GA 30002-1301 / “Ness” and Logo Trademark Marca Registrada. Produced by Ian Campbell, Drew Stauss, Julie Sammons.Ĭhaos Agent features these fine musicians: Alto Saxophone – Kath Fidler (all songs except Latin Čoček), Alto and Tenor Saxophone – Kiyo Kojima (Alto: Latin Čoček Tenor: Cupcake, Bubamara, Flame Thrower), Soprano Saxophone – Larry Smith, Baritone Saxophone – Michael Tew, Tenor Saxophone – Matt Wheatley (all songs except Cupcake, Bubamara, Flame Thrower), Trumpet – Julie Sammons, Trumpet – Reid Lyons, Trumpet – Gerry Polk, Trombone – Nick Edelstein (all songs except Cupcake, Bubamara, Flame Thrower), Trombone – Erik Kofoed (all songs except Fur Bus), Trombone – Jen Mitchell, Bass Trombone – Chris Lafferty, Sousaphone – Curt Coman, Sousaphone – Dan Galenkamp, Sousaphone – David Huey, Tonal Drums – Drew Stauss (+Tambourine & Trash Cymbals for SpottieOttie), Marimba – Colleen Goidel (all songs except Flame Thrower), Bass Drum – Rich Goidel, Snare Set – Bill McCollum, Crash Cymbals – Marisa Wheatley, Zills – Dames of Chance Kiki McCollum (Cupcake and Flame Thrower) and Barbara Smith (Cupcake),Īdditional Vocals – Eric Dotson and Émilie Ellis. Mixed and mastered by Ian Campbell at Afterpostmodernism in Denver, Colorado. Recorded in Decatur, Georgia, January 11-13th, 2019 by Ian Campbell.Īdditional vocal overdub recording at Ness Records, Atlanta by Nick Edelstein.
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